Tamron 150-500mm f/5-6.7 Di III VC VXD Lens for Sony E MountMastering the magical world of 500mm ultra-telephoto zoom lenses
As the world's premier high-end camera lens manufacturer, Tamron is proud to present an astonishingly compact ultra-telephoto zoom lens with image stabilization specifically designed for Sony E-mount full-frame mirrorless cameras
The 150-500mm F/5-6.7 Di III VC VXD (Model A057) zoom lens for Sony E-mount full-frame mirrorless cameras upends conventional wisdom for ultra-telephoto zoom lenses, with a very compact design and high image quality. The 150-500mm F5-6.7 achieves a 500mm focal length while retaining a compact size, with a length of just 209.6mm (8.3 in) and a maximum diameter of 93mm, enabling comfortable handheld shooting. The design places major emphasis on image quality. The optical construction features 25 elements in 16 groups and utilizes special lens elements and hybrid aspherical lens elements to control various potential aberrations such as chromatic aberrations. The 150-500mm F5-6.7 zoom is also equipped with a high-speed, high-precision linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive) and VC (Vibration Compensation), ensuring that no photogenic moment is ever missed. Additionally, the lens has a MOD (Minimum Object Distance) of 0.6m (23.6 in) at the 150mm end and remarkable overall usability. The Arca-Swiss compatible tripod mount has strap attachment holes and there are various features to support outdoor shooting, including Moisture-Resistant Construction and Fluorine Coating. The 150-500mm F5-6.7 is a highly versatile lens that lets you capture a wide array of subjects ranging from landscapes and birds to sports and wildlife photography. You will be amazed when you experience the powerful and unique world of ultra-telephoto lenses for yourself. Find an authorized Tamron dealer to get yours today!
Considering its pairing with mirrorless cameras, TAMRON pursued a compact size that allows handheld shooting while developing the 150-500mm F5-6.7. With a length of 209.6mm (8.3 in) and maximum diameter of 93mm, the 150-500mm F5-6.7 is astonishingly compact for a 500mm-class ultra-telephoto zoom lens built for use on full-frame mirrorless cameras. Even when extended to the 500mm telephoto end, the lens has a suppressed length of around 283mm (11.1 in). Another distinctive feature is that the arc of rotation of the zoom ring is small—only 75°—which enables swift adjustment to the desired focal length with minimal movement.
In addition to covering a broad range of focal lengths, the 150-500mm F5-6.7 zoom has high resolving power with excellent image-rendering performance across the entire zoom range. The optical construction features 25 elements in 16 groups. The effective placement of special lens elements—including XLD (eXtra Low Dispersion), LD (Low Dispersion) and hybrid aspherical lens elements—enables the 150-500mm F5-6.7 to produce clear images while controlling chromatic aberrations. BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating is used to suppress ghosting and flare, which commonly occur under backlit conditions. These features allow the lens to produce finely detailed images of a wide variety of subjects including wild animals, birds, nature and sports, while producing soft and beautiful bokeh effects.
The 150-500mm F5-6.7 zoom’s AF drive system is equipped with the VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism. VXD delivers extreme high-speed and high-precision movement and ensures exceptionally responsive performance. Even when shooting at the ultra-telephoto end with a focal length of 500mm, the 150-500mm F5-6.7 enables comfortable, stress-free focusing at all shooting distances from near to far. Focus tracking performance is also very high, facilitating shooting of fast-moving subjects, such as when photographing wild birds, sports, vehicles and wildlife in general. The linear motor also suppresses drive noise and vibrations during focusing, making it ideal for shooting both still photos and video in environments that demand quietness.
When shooting in the ultra-telephoto range, even the smallest vibrations can lead to loss of image clarity. The 150-500mm F5-6.7 is equipped with VC (Vibration Compensation) functionality to support sharp images despite unavoidable camera shake. VC delivers powerful support for handheld shooting of scenes with low light levels, such as evening scenes and indoor shots, without the use of a tripod. The lens also features a VC mode selection switch with three modes including a dedicated panning mode (Mode 1: Standard, Mode 2: Exclusively for Panning, and Mode 3: Framing priority), thereby enabling selection of the ideal VC mode to match shooting conditions and preferences.
VC MODE 3 prioritizes framing and helps you to frame fast-moving subjects easily. In mode 3, VC stabilization is effective from the time the camera power is turned on.
The 150-500mm F5-6.7 zoom lets users freely enjoy telephoto macro shooting of subjects at closeup distances. The lens has an MOD (Minimum Object Distance) of 0.6m (23.6 in) at the 150mm wide-angle end, and 1.8m (70.9 in) at the 500mm telephoto end. More remarkably, the maximum magnification ratio at the 150mm end is 1:3.1, offering excellent close-up shooting capabilities for an ultra-telephoto zoom lens. The versatile performance of the 150-500mm F5-6.7 enables shooting of a diverse range of scenes from plants and insects to closeup tabletop photos. It also allows users to shoot very dramatic images because it gives the illusion that the distance between objects is less than in real life. Secondarily, it’s also possible to get interesting head-and-shoulder portraits because of this compression effect.
In the development and design of the 150-500mm F5-6.7 zoom, TAMRON emphasized usability so that users can fully immerse themselves in the world of ultra-telephoto zoom lenses without minor annoyances.
TAMRON’s new 150-500mm F5-6.7 is compatible with many of the advanced features that are specific to mirrorless cameras. These include:
- Fast Hybrid AF
- Eye AF
- Direct Manual Focus (DMF)
- In-camera lens correction (shading, chromatic aberration, distortion)
- Camera-based lens unit firmware updates
* Features vary by camera. Please consult your camera’s instruction manual for details.
* As of March, 2021
|Angle of View
(for full-frame mirrorless format)
|Optical Construction||25 elements in 16 groups|
|Minimum Object Distance||0.6m (23.6 in) (WIDE) /
1.8m (70.9 in) (TELE)
|Maximum Magnification Ratio||1:3.1 (WIDE) / 1:3.7 (TELE)|
|Length*||209.6mm (8.3 in)|
|Weight||1,725g (60.8 oz) (without tripod mount included) /
tripod mount 155g (5.5 oz)
|Aperture Blades||7 (circular diaphragm)**|
|Standard Accessory||Round-shaped hood, Lens caps, Tripod mount|
|Compatible Mounts||Sony E-mount|
* Length is the distance from the front tip of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
June 10th, 2021
Optical Construction (25 elements in 16 groups)
MTF (Modulation Transfer Function) curves describe to what extent the tested lens can faithfully reproduce contrast of the subject in images it captures.
The closer the 10 lp/mm (line pairs per millimeter) curve (the thick line for low frequency) in an MTF chart to "1" of the vertical axis (the higher up), the higher the contrast reproduction performance of the tested lens will be. The closer the 30 lp/mm curve (the thin line for high frequency) to "1" (the higher up), the higher the resolving power and thus the subjective sharpness of the lens will be.
Lens performance differs depending upon directions. Solid lines show performance in the sagittal (radial) direction while dotted lines indicate performance in the meridional (circumferential) direction. When sharp lenses capable of delivering uniform optical performance over the entire image field are tested, MTF charts show curves plotted in good balance.
Performance characteristics of photographic lenses cannot be expressed with only MTF charts. There are other factors that are expressed in different methods, such as taste of softness and degrees of compensation of various aberrations. But you can use MTF charts as a scale to measure lens performance.
- Image Gallery
- First Impressions
Stefan Malloch (video)
- Hands-on Review
- Hands-on Review
- Remarkable Zoom, Handheld
- Review of 150-500mm
- Tamron 150-500mm on My Sony A6600
Arthur R (video)
- The BEST Wildlife / Sports Lens for SONY on a Budget?
Fro Knows Photo (video)
- “Hakuna Matata,” when it comes to wildlife
- Powerful Zoom for Sony Full-Frame Mirrorless
- Zoom lens delivers impressive performance and value
- In-Depth Hands On Review
The Slanted Lens (video)